Not to brag here… but some of us have actually read some of the books in our longstanding TBR pile during this pandemic. Some of my favorites of the past year:
Special props to Dexter Palmer’s Mary Toft; or, the Rabbit Queen, a historical novel set in 1700s England, about a woman who fooled five of the greatest physicians in the country into believing that she had given birth to seventeen rabbits. (It failed as a check on the to-read list, though, because I just bought his earlier book Version Control. One step forward, one step back.) I loved all five of these books, though, and recommend them enthusiastically.
My story “Contract Witch” goes up at Fireside today! It’s a 6-minute read about Python, atmospheric carbon, and the sprint ceremony from hell. Please, share it with a software developer in your life.
It’s been a strange month to have three short stories to promote. They also happen to be the first three short stories I’ve ever sold, and while I hope they won’t be the last, there won’t be any more for a while, because I’ve been concentrating on a novel lately. It turns out that if you want to publish more short stories, you also have to write them. Crazy, innit?
In the past twelve months, I’ve sold three short stories, but the varying publication scheduled mean they’re all running this month. (Raining, pouring, etc.) The title for the third one is very short, I promise!
My family and I live in Texas. We appear to have weathered last week’s storm better than many. A boil notice is in effect, but we’ll take that any day of the week over a caved-in ceiling due to burst water pipes, three days without power in single-digit temps, no water at all, or the very frightening reality that the entire state of Texas was within minutes of losing power due to the near-collapse of the entire grid.
A friend who’s still without water texted the other day, “I was about to say I feel like I’m living in a disaster area, then I remembered that I am.”
Our city officials asked everyone to conserve power, so that meant digging up as many non-screen activities as we could with our family. Puzzles, books, board games, solitaire, crafting projects – all things that I adore when I’m not actively worried about societal collapse, and even when I am worried about that, they’re pretty great.
We had a leftover project from a fall subscription to Let’s Make Art, which ships kid-friendly craft projects. They’re pretty good, turns out. They give clear instructions but leave enough room for kids to make choices of their own on how to change things up, and the supplies are pretty good quality – not just grocery-store watercolors, but decent paints and brushes, that kind of thing.
I did some of the drawing projects along with my kid.
In no way do I suggest that these doodles constitute great art. I love art and galleries and museums and I know just enough about art to know that I would need a lot of study and practice to do something really great.
But the beautiful thing is how nice it is to have a creative endeavor that has no extrinsic goal. I’m not trying to sell my work. I do it to see how it turns out.
Given the ups and downs of pushing at a writing career, it’s lovely to explore an idea in this way – a castle! A dragon! A little breath of fire! What might it look like? Let’s see! And, when you have no responsibility other than to keep your family in one place and the lights off, it’s also a spot of grace to share a moment of simple creativity with loved ones.
I’d love to hear about how other people have spent the uneasy times of waiting in their lives, and what you’ve done to fill the empty minutes.
I’m not on there because everything I’ve sold is scheduled to come out this year. I hope you’ll read some of their stories, though, especially if you’re able to vote for awards. Some of these stories were even workshopped at Viable Paradise. There’s a lovely range of styles, and it’s great fun to check out what the class of 2019 has accomplished in the last year!
(This is not an eligibility post, because both the pieces I sold this year are set to run in 2021.)
I’ve always found it helpful to see writers’ submission stats, on account of how it offers so much insight into the actual acceptance rate of folks who are out there publishing and working. Here’s a screenshot from The Grinder to share where I’m at, after my first year of getting out there and submitting my short fiction for publication:
I’m very happy with what I could accomplish with my short fiction this year. It’s a nice beginning, and I’d be glad and grateful to maintain this acceptance rate for another year!
I’ve already started Vikram Paralkar’s Night Theater (thanks to the well-considered gift of Minecraft to a younger member of my household) and am loving it.
And am astonished once again to read an excellent novel written by a practicing physician. Listen, it’s not that I don’t think doctors aren’t also human beings with outside interests, which is how our pediatrician (indignantly) interpreted my words when I said something about how hard it must be to become both physician and author. It’s that it seems like, for most people, it would take at least as many hours of study and practice to become a good author as it does to become a physician, and do none of these people ever get sucked into MMORPGs or doomscrolling habits whatever? Have they only ever spent their time in worthwhile pursuits?